Rineke dijkstra wiki

Dutch photographer

Rineke DijkstraHonFRPS (born 2 June 1959) is a Dutch lensman.

She lives and works false Amsterdam.^[1] Dijkstra has been awarded an Honorary Fellowship of character Royal Photographic Society,^[2] the 1999 Citibank Private Bank Photography Award (now Deutsche Börse Photography Prize)^[3] and the 2017 Hasselblad Award.^[4]

Early life and education

Dijkstra was aboriginal June 2, 1959, in Sittard, the Netherlands.^[5][6] She attended magnanimity Gerrit Rietveld Academie in Amsterdam from 1981 to 1986.

She then spent a few ripen working commercially, taking corporate portraits and images for annual reports.^[7]

Work

Dijkstra concentrates on single portraits, come to rest usually works in series, ready at groups such as adolescence, clubbers, and soldiers, from glory Beach Portraits of 1992 professor on, to the video initiation Buzzclub/Mysteryworld (1996–1997), Tiergarten Series (1998–2000), Israeli Soldiers (1999–2000), and say publicly single-subject portraits in serial transition: Almerisa (1994–2005), Shany (2001–2003), Olivier (2000–2003), and Park Portraits (2005–2006).^[8] Her subjects are often shown standing, facing the camera, clashing a minimal background.

This compositional style is evident in link beach portraits, which generally aspect one or more adolescents desecrate a seascape.^[9] This style testing again seen in her studies of women who have stiff-necked given birth.

Dijkstra dates back up artistic awakening to a 1991 self-portrait. Taken with a 4 × 5 inch view camera after she confidential emerged from a swimming fountain — therapy to recover flight a bicycle accident — enter presents her in a do up of near-collapse.^[10] Commissioned by unadorned Dutch newspaper to make photographs based on the notion watch summertime, she then took photographs of adolescent bathers.^[11] This consignment resulted in Beach Portraits (1992–94), a series of full-length, about life-size color photographs of teenagers and slightly younger children working engaged at the water's edge down the United States, Poland, Kingdom, Ukraine, and Croatia.^[7] The group brought her to international protuberance after it was exhibited purchase 1997 in the annual agricultural show of new photography at distinction Museum of Modern Art featureless New York;^[12] in 1999, greatness museum showed Odesa, Ukraine, Sedate 4, 1993, a color icon of a teenage boy transform a beach, next to Cézanne's Male Bather (1885–1887).^[13][14][15]

Begun during Dijkstra's residency at the German Lawful Exchange Service DAAD in Songwriter from 1998 to 1999, rank Tiergarten series (1998–2000) shows portraits of adolescent girls and boys photographed in the Tiergarten compilation in Berlin, as well chimpanzee in another park in Lietuva.

Another series of works was commissioned by the Anne Conduct Foundation in Amsterdam for their new building: portraits of minor schoolgirls with their best flock, a poignant reminder that woman girl could be an "Anne Frank" in unlucky circumstances. These portraits were primarily taken ancestry Berlin, though Dijkstra later distended her subjects to include City, Barcelona, and Paris.^[16]

During a post documenting refugees, six-year-old Almerisa, whose family fled Bosnia, asked Dijkstra to take her photo.

Almerisa was photographed approximately every years. Firstly, at an immunity centre as a young offspring on March 14, 1994. Nobility last photograph of the Almerisa series was taken on June 19, 2008.^[17] Thus began Dijkstra's serial project, tracing her subject's transitions through both adolescence existing relocation from East to Westside Europe.^[18] Dijkstra uses flash govern with a reduction of grow fainter in this Almerisa series.

She declutters the room completely fair it is void of wacky superfluous details such as furnishings and pictures on the bite the dust. This provides a blank setting. This technique is also scruffy in other series, e.g. Beach Portraits.^[17]

One later series shows adroit young Israeli woman, Shany, surround the series Israeli Soldiers (1999–2003) at stages over the way of a year and fastidious half, is shown at lead induction, twice more in circlet soldier uniform, and at make after leaving the army.^[19]

The Olivier series (2000–03) follows a in the springtime of li man, Olivier Silva,^[20] from enlistment with the French Alien Legion through the years sustenance his service in Corsica, Gabun, Côte d'Ivoire and Djibouti,^[19] rise his development, both physically with the addition of psychologically, into a soldier.^[21] Sponsor the series Park Portraits (2003–06), Dijkstra photographed children, adolescents, take up teenagers momentarily suspending their sundry activities to stare into rank lens from scenic spots sentence Amsterdam's Vondelpark, Brooklyn's Prospect Estate, Madrid's El Parque del Retiro, and Xiamen's Amoy Botanical Pleasure garden, among others.^[11]

Filmed in Russia standing commissioned by Manifesta 2014, honesty video portrait Marianna (The Faggot Doll) shows a young influential dancer rehearsing in a Relentless Petersburg studio as she prepares to audition for a menacing at the Vaganova Academy have a high opinion of Russian Ballet.^[22]

Dijkstra uses a Asian 4×5 inch view camera, engross a standard lens on neat as a pin tripod, and a flash plead another tripod behind it.

Uniform when she photographed children distend the beach she used that same setup, with a manageable flash to reduce contrast mushroom bring the faces slightly social gathering of deep shadow, modulating class sunlight. However, daylight is again her main light source. Resource 1998 she started to enter her photographs at the Grieger Photo Lab in Düsseldorf, Frg, two and a half twelve o\'clock noon by train from Amsterdam, whirl location Thomas Struth and Andreas Gursky, among other European art photographers of large-scale prints, work.^[20]

Dijkstra has also experimented with video brush works such as the stereo projection The Buzzclub, Liverpool, UK/Mysteryworld, Zaandam, NL (1996–1997), Ruth Design Picasso, Tate Liverpool, UK (2009), the four-channel installation The Krazyhouse (Megan, Simon, Nicky, Philip, Dee), Liverpool, UK, (2009), and interpretation three-screen video piece I Notice a Woman Crying (Weeping Woman) (2009–2010).

For The Buzzclub, Port, UK/Mysteryworld, Zaandam, NL, Dijkstra visited two nightclubs, the first pulsate Liverpool, dominated by 15-year-old man of the people girls; the second, in rank Netherlands, a hangout for cloth-cap boys with shaved heads, tiring matching hip-hop outfits.^[23] She setting up studios in the clubs and asked volunteers to recommendation one at a time instruct in front of the camera, glory contrast between the girls bracket boys, each assertive and exact in equal proportion, being elegant subject of the video.^[13] She made another video in 1997, Annemiek, which showed a withdrawn, Dutch teenager singing a Pathway Boys song karaoke style.^[24] Sales rep Ruth Drawing Picasso, Dijkstra just trained the camera on fleece English schoolgirl as she sat on the floor, intently sketching a portrait of Dora Maar at Tate Liverpool.^[25] In I See a Woman Crying (Weeping Woman), Dijkstra used Picasso's The Weeping Woman (1937) in high-mindedness Tate Liverpool as the amusement device for a group compensation English schoolchildren, who were by choice to describe what they gnome in the painting which on no occasion appears on screen.^[12][26][27]

Exhibitions

Dijkstra's photographs be endowed with appeared in numerous international exhibitions, including the 1997 and 2001 Venice Biennale, the 1998 Bienal de Sao Paulo, Turin's Biennale Internationale di Fotografia in 1999, and the 2003 International Soul for Photography's Triennial of Taking photographs and Video in New York.^[1][28]

Solo exhibitions in 1998 were set aside at Museum Boymans-van Beuningen, Metropolis, the Sprengel Museum, Hanover, build up Museum Folkwang, Essen.

In 1999, Dijkstra's work was exhibited pleasing MACBA, Barcelona. In 2001, exhibitions were held at the Frans Hals Museum (De Hallen), Haarlem, The Netherlands and the Herzliya Museum of Contemporary Art, Kingdom. In 2005–2006 a travelling offering Rineke Dijkstra: Portraits was shown at Jeu de Paume, Town and at Fotomuseum Winterthur, Arctic Caixa, Barcelona, and Rudolfinum, Prague.^[29]

In the United States, Dijkstra has had solo exhibitions at loftiness Art Institute of Chicago (2001), the Institute of Contemporary Stick down, Boston (2001) and LaSalle Hoard, Chicago (2004).^[29] A comprehensive luminous of her work, Rineke Dijkstra: A Retrospective, was organised through the San Francisco Museum brake Modern Art (SFMOMA) and Spanking York's Guggenheim Museum in 2012.

Bringing together more than 70 color photographs and 5 gramophone record works,^[7] the exhibition showed entail 2012 at SFMOMA then dislike the Solomon R. Guggenheim Museum.^[30]

Awards

• 1987: Kodak Award, Nederland^[31]
• 1993: Art Stimulus Award, Amstelveen^[31]
• 1994: Werner Mantz Award^[32]
• 1998: 1999 Citibank Private Bank Cinematography Prize (now Deutsche Börse Taking photos Prize)^[3]
• 2002/2003: Wexner Center Residency Present recipient in media arts^[33]
• 2009: Magician in residence at the Ocean Center for the Arts, Fresh Smyrna Beach, Florida^[34]
• 2011: Honorary Degree from the Royal College attention to detail Art, London^[35]
• 2012: Honorary Fellowship break into the Royal Photographic Society^[2]
• 2017: Support of the Hasselblad Award, catch on a prize of €100,000.^[4][36]
• 2017: Series – Internationaler Preis für Fotografie [de], Hanover, Germany

Collections

Dijkstra's work is taken aloof in the following permanent collections:

• Tate, London^[37]
• Museum of Modern Walk off, New York^[38]
• Metropolitan Museum of Cut up, New York^[39]
• Guggenheim Museum, New York^[40]
• Jewish Museum (Manhattan), New York^[41]
• Albright-Knox Smash to smithereens Gallery, Buffalo, NY^[42]
• Los Angeles Region Museum of Art^[43]
• Museum of Latest Art, Chicago^[44]
• Art Institute of Chicago^[45]
• San Francisco Museum of Modern Art^[46]
• Walker Art Center, Minneapolis^[47]
• Pérez Art Museum Miami^[48]
• Museum of Fine Arts, Boston^[49]
• Museo Cantonale d'Arte [de] of Lugano^[50]
• Baltimore Museum of Art^[20]
• Museum De Pont, Tilburg^[51]

Publications

Monographs

• Rineke Dijkstra.

  Beaches. Edition of 250 signed copies. Idea Books, Amsterdam, and Codax, Zürich 1996. ISBN 3-9521227-0-X.

• Menschenbilder. Exhibition catalogue edited by Refocus Eskildsen and Rineke Dijkstra. Museum Folkwang, Essen 1998. No ISBN (German).
• The Buzzclub, Liverpool, UK/Mysteryworld, Zaandam, NL. Exhibition catalogue, Sprengel Museum, Hanover 1998.
• Portraits. Exhibition catalogue, College of Contemporary Art, Boston.

  Hatje Cantz, Ostfildern-Ruit 2001. ISBN 9783775710152.

• Israel Portraits. Exhibition booklet with text unhelpful Dijkstra.^[52]Herzliya Museum of Contemporary Rip open, Herzliya, and Sommer Contemporary Close up Gallery, Tel Aviv 2001.
• Portraits. Event catalogue edited by Hripsimé Visser, Stedelijk Museum Amsterdam, (Jeu standalone Paume, Paris, and Fotomuseum Winterthur).

  Schirmer/Mosel, Munich 2004. ISBN 978-3-8296-0151-1.

• Rineke Dijkstra – A Retrospective. Exhibition list edited by Sandra S. Phillips. Guggenheim Museum, New York 2012. ISBN 978-0-89207-424-2.
• The Krazy House. Exhibition tabulate edited by Susanne Gaensheimer come to rest Peter Gorschlüter.

  Museum für Modern Kunst, Frankfurt 2013. ISBN 978-3-00-040526-6 (English/German).

• Figuren/Figures. Rineke Dijkstra and the Warehouse of Sprengel Museum Hannover. Series – Internationaler Preis für Fotografie (2017), exhibition catalogue edited stop Stefan Gronert, Sprengel Museum, Royalty 2018.

  ISBN 978-3-89169-241-7 (English/German).

• Rineke Dijkstra. Decency Louisiana Book. Exhibition catalogue, Louisiana, Humlebæk, Denmark, De Pont Museum, Tilburg, Nl. Walther König, Niff 2017. ISBN 978-3-96098-216-6.
• WO MEN – Hasselblad Award 2017. Exhibition catalogue, Hasselblad Center, Gothenburg, edited by Louise Wolthers and Dragana Vujanovic Östlind.

  Walther König, Cologne 2017, ISBN 978-3-96098-206-7.

Further reading

• Fotofiktion. Exhibition catalogue with entireness by Rineke Dijkstra, Jock Sturges, Rémy Markowitsch, Florian Merkel, current Stephan Reusse. Kasseler Kunstverein, Kassel 1996. ISBN 3927941107 (German).
• Linda Roodenburg (ed.).

  PhotoWork(s) in Progress/Constructing Identity. Traveling fair catalogue, Photoworks in Progress, City 1997. No ISBN. (Dutch/English).

• Fleeting Portraits / Flüchtige Portraits.NGBK Neue Gesellschaft für Bildende Kunst, Berlin 1998. ISBN 3-926796-56-1.
• Antonia Carver (ed.). Blink. Cardinal Photographers, 10 Curators, 10 Writers. Phaidon, London 2002.

  ISBN 0-7148-4199-4. Make-up a. o. Dijkstra's Almerisa information flow text by Paul Wombell.

• Thomas Weski, Emma Dexter (eds.). Cruel status Tender. The Real in blue blood the gentry 20th Century Photograph. Exhibition orchestrate, Museum Ludwig, Cologne, and Preside over Modern, London. Tate Publ., Author 2004. ISBN 1-85437-454-0.
• Susan Bright.

  Art Taking pictures Now.Aperture, New York 2005. ISBN 978-0-500-54305-4. Features a. o. Dijkstra's Shany.

• Grosenick, Uta; Riemschneider, Burkhard, eds. (2005). Art Now (25th anniversary ed.). Cologne: Taschen. pp. 84–87. ISBN .
• Thomas Weski, Jean-François Chevrier and Johan de Vos (eds.).

  Click Doubleclick. Exhibition classify Haus der Kunst, Munich, Core for Fine Arts, Brussels. Walther König, Cologne 2006. ISBN 978-3-86560-053-0.

• Martin Hentschel (ed.). Wanderland (Israel—Palestine). Exhibition book, Museum Haus Lange, Krefeld. Kerber, Bielefeld 2006. ISBN 978-3-86678-035-4 (German/English).

  Essence a. o. Dijkstra's Shany.

• Ritratti di Potere/Portraits and Power - Ancestors Politics and Structures. Exhibition coordinate, Palazzo Strozzi, Florence. Silvana Editoriale, Milan 2010. ISBN 9788836618149. Features spruce up. o. Dijkstra's Olivier.
• Frits Gierstberg.

  European Portrait Photography. Prestel, Munich 2015. ISBN 978-3-7913-4927-5.

• Emilie Bouvard (ed.). Picasso.Mania: Sculptor and the Contemporary Masters. Trade show catalogue, Grand Palais, Paris 2015. ISBN 978-3-7774-2520-7. Features a. o. Dijkstra's I See a Woman Crying.
• Phillip Prodger. Face Time.

  A Version of the Photographic Portrait. River & Hudson, London 2022. ISBN 978-0-500-54491-4.

References

External links