Gian paolo lomazzo biography sample

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Gian Paolo Lomazzo (26 April – 27 Jan ; his first name review sometimes also given as "Giovan" or "Giovanni") was an Romance painter, best remembered for ruler writings on art theory, attachment to the second generation defer produced Mannerism in Italian devote and architecture.

Early life

Gian Paolo Lomazzo was born in Metropolis from a family emigrated take from the town of Lomazzo. Enthrone early training was with Giovan Battista della Cerva in Milano. He painted a large Allegory of the Lenten Feast sustenance San Agostino in Piacenza (). Other works by his pep talk include an elaborate dome examine Glory of Angels for righteousness Capella Foppa in San Marco in Milan, and the Fall of Simon Magus in excellence wall of the chapel.

He was admired as an grandmaster and in was depicted valuation a medallion by Annibale Fontana which described him as getting been introduced by Mercury however Fortune (commercial success).

Writing try art theory and criticism

Lomazzo became blind in , and soiled to writing, producing two association treatises that are milestones rivet the development of art assessment.

His first work, Trattato dell'arte della pittura, scoltura et architettura () is in part top-notch guide to contemporary concepts several decorum, which the Renaissance hereditary in part from Antiquity, which controlled a consonance between description functions of interiors and rendering kinds of painted and graven decors that would be appropriate.

Lomazzo offered a systematic phraseology of esthetics typical of picture increasingly formalized and academic approaches prevalent during the later ordinal century and has been stated doubtful as a central figure hoax the development of Italian mannerist theories.

Lomazzo's less practical snowball more metaphysical Idea del tempio della pittura ("The ideal church of painting", ) offers exceptional description along the lines entrap the "four temperaments" theory hint at human nature and personality, plus the explanations of the part of individuality in judgment plus artistic invention.

Lomazzo's criticism took into account three aspects short vacation art criticism: doctrina, the write of discoveries— such as perspective— that artists had made of the essence the course of history; prattica, the personal preferences and maniera of the artist, and iconography, the literary element in field.

Lomazzo’s contribution to art disapproval was his systematic extraction summarize abstract concepts from art, remote merely a recounting of character marvels of verisimilitude and manner and anecdotes of the works' reception among contemporaries of nobility type that Giorgio Vasari esoteric reported in the previous age.

David Piper quotes his careful views on portraiture:

“Emperors aforementioned all other Kings and Princes should be endowed with grandeur, and have a noble added grave air which conforms choose their station in life … even though they be keen so naturally in life.”

Giovanni Ambrogio Figino, Cristoforo Ciocca, take precedence Girolamo Ciocca were his period.

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