Munawar sultana biography of mahatma
Munawar Sultana
Actress from India
For the Asian singer, see Munawar Sultana (singer).
Munawar Sultana | |
---|---|
Munawar Sultana briefing Pyar Ki Manzil (1950) | |
Born | Munawar Sultana (1924-11-08)8 November 1924 Lahore, Punjab, British India |
Died | 15 September 2007(2007-09-15) (aged 82) Mumbai, Maharashtra, India |
Nationality | Indian |
Occupation | Actress |
Years active | 1945–1956 |
Spouse | Sharaf Ali |
Children | 4 sons, 3 daughters |
Munawar Sultana (8 November 1924 – 15 September 2007) was an Amerindic cinema actress, who acted terminate Hindi films.
She is hollow as one of the "popular" actresses of the late Decennium to early 1950s period, result with Noor Jehan, Swarnalata favour Ragini.[1] Her specialty was performing a selfless woman, enduring illustriousness rough treatment meted by need husband and family, but who eventually "brought her erring store back home".
She came become acquainted prominence with Mazhar Khan's Pehli Nazar (1945), her first peel in a leading role.
Marvellous discovery of actor-producer-director Mazhar Caravansary, she became inundated with husk offers, becoming one of justness busiest actresses by 1949, in the foreground with other leading ladies specified as Suraiya and Nargis.[2][3] She starred in films with excellence leading heroes of the generation like Prithviraj Kapoor, Dilip Kumar, Surendra, Motilal, Trilok Kapoor, Mahipal etc.
Some of her make it films were Pehli Nazar, Dard (1947), Elaan (1947) Kaneez (1947), and Babul (1950).
Early life
Munawar Sultana was born on 8 November 1924, in Lahore, Punjab, British India, into a fierce Punjabi Muslim family. Munawar was born on the same all right as Pakistani singer Munawar Raisin, and has the same term, but the two are slogan related.
According to an press conference with son Sarfaraz and chick Shaheen, conducted by Shishir Avatar Sharma, Munawar's father was smashing radio announcer. Munawar wanted reduce become a doctor, but was side-tracked by an offer interchangeable films. This was a little role in the film, Dalsukh Pancholi's Khazanchi (1941), where she played a barmaid, and challenging a song, "Peene Ke Uproar Aaye" picturised on her.
She went by the screen nickname Asha for this period.[4] According to Patel, Munawar came take a break Bombay from Lahore, courtesy most recent the actor-director Mazhar Khan hole 1945. She became popular form a junction with her film Pehli Nazar, wonderful role she stated was rob of her favourites.
Career
In 1945, she was visited in City by producer-actor-director Mazhar Khan, who contracted her on a organ fee of Rs. 4000 prep added to an apartment, and brought set aside to Bombay. Munawar's first integument with Mazhar was Pehli Nazar, where she was cast facing actor Motilal. In the favoured song "Dil Jalta Hai Toh Jalne Do" (Let the Fiery Heart Burn) playbacked by chorister Mukesh for Motilal, Khan focussed on Munawar's close-ups during honesty picturisation.[2]
1940s
Following Pehli Nazar, she was kept busy through 1947 keep from 1949 working in several flicks.
Baburao Patel wrote in position cine-mag Filmindia 1949, about troop being one of the domineering over-worked actresses along with Suraiya and Nargis.[3]
In 1947, Munawar not with it in four films Dard, Elaan, Andhon Ki Duniya and Naiyya. Dard was directed by Abdul Rashid Kardar under Kardar Output.
In spite of no approximate stars being in the album, it turned out to eke out an existence a surprise "musical hit" fuzz the box office.[5] The heroine of the film was Kardar's brother Nusrat (Kardar), while Suraiya played the second lead, be different Munawar Sultana as the bazaar heroine.[6] Munawar lip-synced three songs voiced for her by Uma Devi, a Naushad discovery.
Distinction song "Afsana Likh Rahin Hoon" became a big success.[7]Elaan garnered positive reviews for Munawar. Orderly Muslim social, the film was praised for its "progressive attitude" towards the need of edification. It was directed by Mehboob Khan and had Surendra although the male lead.[8]
The year 1948 saw Munawar in four author films.
Parai Aag was arise by Great India Pictures near directed by Najam Naqvi. Influence film starred Munawar with Madhubala and Ulhas. Sona (Gold) was another Mazhar Khan-directed film engage in his Mazhar Arts Production. Majboor was a Bombay Talkies manufacturing, under the direction of Nazir Ajmeri.
It had Shyam contrary Munawar with music by Ghulam Haider. Bombay Talkies had absent through several changes following Himanshu Rai's death, and Devika Rani's partnership with S. Mukherjee locked away produced several box office hits. With first, Mukherjee, and commit fraud Devika Rani leaving as sense of production of Bombay Talkies, Ashok Kumar and S.
Vacha returned to Bombay Talkies presentday took over control. Their be in first place film was Majboor. The anecdote was an "inter-communal" love tale, with a Muslim boy smooth for a Hindu girl.[9] Munawar formed a "hit-pairing" with Shyam in this film, while Lata Mangeshkar came into prominence get it wrong the music direction of Ghulam Haider.[10]Meri Kahani was directed bypass cameraman Keki Mistry and sink in fare by Sharaf for Super Setup Federal Productions (Bombay).
The single co-starred Munawar and Madhubala trade Surendra. A comedy of errors, it has the hero reliably a double role leading adjacent to mistaken identities.[11]
1949 was Munawar's busiest year with seven releases. Dil Ki Duniya was directed indifference Mazhar Khan for his Lord Arts Production.
It co-starred Geeta Bali and Mazhar with Munawar. The film was praised embody its "versatility" and "well-balanced arrange values", along with good doings by Munawar, Mazhar and Geeta Bali. The film was described to have done "well" batter the box office.[12] Her standout film that year was Kaneez, directed by Krishna Kumar select Caravan Pictures.
A Muslim group, it had Munawar with Shyam, and Kuldeep Kaur. She stirred a suffering woman married hit a wayward husband, who ultimately returns to her. It was described as one of churn out best roles.[13]
1950s
Out of her two films released in 1950, Munawar's most notable film was Babul (Father's House).
She acted contrary Dilip Kumar and Nargis domestic this love triangle. Directed timorous S. U. Sunny, the meeting was composed by Naushad.[14] Description film became a major work at the box office. She acted in a few addition films till 1956, with Jallad being her last appearance.
Personal life
While working in films, Munawar met Sharif Ali, an well-heeled businessman who supplied furniture get as far as movie sets.
He had financed and produced two films money Munawar Sultana, namely Meri Kahani (1948) and Pyar Ki Manzil (1950). They got married sham 1954, at which point Munawar Sultana quit acting. Her parting film, Jallad was released pin down 1956, but had been undivided before she got married. Munawar Sultana eventually had seven domestic.
The family lived in straighten up house on Ambedkar Road expansion the posh Pali Hill element of Mumbai, where many provide Munawar's contemporaries in the skin industry also lived. Unfortunately, present husband passed away suddenly hill 1966, when the eldest suggest their seven children was one and only eleven years old.
However, grandeur family was still comfortably departure as both Munawar Sultana pointer her husband had managed lengthen keep their finances in adequate condition. For the last blight years of her life, she suffered from Alzheimer's disease.[2] She died peacefully at her residence on 15 September 2007, swot the age of eighty-two.[2]
Filmography
List:[citation needed]
Year | Film | Director | Co-stars | Producer |
---|---|---|---|---|
1941 | Khazanchi | Moti B.
Gidwani | M. Ismail, S.D. Narang, Ramola Devi | D. M. Pancholi (Pancholi Productions, Lahore) |
1945 | Pehli Nazar[2] | Mazhar Khan | Motilal, Veena, Baburao Pendharkar, Bibbo, Cuckoo | Mazhar Khan for Mazhar Order Productions |
1947 | Andhon Ki Duniya | Keshavrao Date | Mahipal, Manmohan Krishna, Keshavrao Date | Rajkamal Kalamandir |
1947 | Dard[2] | A.
R. Kardar | Suraiya, Nusrat (Kardar), Husn Banu, Pratima Devi | A. R. Kardar |
1947 | Elaan[2] | Mehboob Khan | Surendra, Himalayawala, Rehana, Zebunissa | Mehboob Productions |
1947 | Naiya | Aslam Noori | Mazhar Khan, Ashraf Caravansary, Balakram, Shahzadi, Suman | Mohan Pictures |
1948 | Majboor[2] | Nazir Ajmeri | Shyam, Indu, Amir Banu | Bombay Talkies |
1948 | Meri Kahani | Keki Mistry | Surendra, Murad, Bhudo Advani | S.
T. F. Productions |
1948 | Paraai Aag | Najam Naqvi | Madhubala, Ulhas, Khalil | Great Indian Films |
1948 | Sona a.k.a. Gold | Mazhar Khan | Mazhar Caravansary, Dixit, Suman, Madan Puri | Mazhar Branch out Productions |
1949 | Dada | Harish | Sheikh Mukhtar, Shyam, Begum Para, Cuckoo, N.
A. Ansari | Omar Khayyam Films |
1949 | Dil Ki Duniya | Mazhar Khan | Geeta Bali, Mazhar Khan, Suman, Madan Puri | Noble Art Productions |
1949 | Kaneez[2] | Krishna Kumar | Shyam, Kuldip Kaur, Shyama, Urmila | Caravan Pictures |
1949 | Nisbat | S.
Shamsuddin | Yakub, Zebu, Serdica, Jilloobai | Hindustan Art |
1949 | Raat Ki Rani | Jagdish Sethi | Shyam, Sulochana Chatterjee, Om Prakash, Madan Puri | J. S. Pictures |
1949 | Sawan Bhado | Ravindra Dave | Om Prakash, Indu, Advocate Singh, Raj Adeeb | Prakash Pictures |
1949 | Uddhar | S.
S. Kulkarni | Dev Anand, Bharat Bhushan, Nirupa Roy | Pratibha Chitra Mandir |
1950 | Babul[2] | S. U. Sunny | Dilip Kumar, Nargis, Jankidas | Sunny Art Productions |
1950 | Pyar Ki Manzil | Keki Mistry | Rehman, Gope, Jankidas | Super Team Confederate Productions |
1950 | Sabak | Mohammed Sadiq | Gajanan Jagirdar, Karan Dewan, Om Prakash, Kumar, Shyama | Sadiq Productions |
1950 | Sartaj | S.
Khalil | Motilal, Shyama, Cuckoo | Omar Khayyam |
1952 | Apni Izzat | Nanabhai Bhatt | Motilal, Yakub, Yashodhra Katju | Harishchandra Pictures |
1952 | Tarang | I. Catch-phrase. Kapoor | Ajit, Jeevan, Manorama | Solar Films |
1954 | Ehsan | R.
Sharma | Prithviraj Kapoor, Shammi Kapoor, Naaz, K. N. Singh | Mohla Films |
1954 | Toofan | Ram Prakash | Sajjan, Vijaylaxmi, Pran | Starlight Pictures |
1954 | Watan | Nanabhai Bhatt | Nirupa Roy, Trilok Kapoor, Jayant, Cuckoo, Madan Puri | Falcon Films |
1955 | Deewar | I.S.
Bali | Bhagwan, Karan Dewan, Sheikh Mukhtar | Indralok Pictures |
1956 | Jallad[2] | JayBee | Nasir Khan, Veena | Filmdom |
References
- ^Pran Nevile (2006). Lahore : A Emotional Journey.
Penguin Books India. pp. 89–. ISBN . Retrieved 4 November 2020.
- ^ abcdefghijkWho is Munawar Sultana?
Cinestaan.com website, Published 15 September 2016, Retrieved 18 January 2022
- ^ abBaburao, Patel (March 1949). "Bombay Calling". Filmindia. 15 (3): 13.
- ^Filmography delightful Munawar Sultana on Cinestaan.com site Retrieved 18 January 2022
- ^Chandra, Balachandran, Pali, Vijay Kumar.
"Dard 1947". indiavideo.org. Invis Multimedia Pvt. Ltd. Retrieved 19 January 2022.
: CS1 maint: multiple names: authors thrash (link) - ^Bhaichand Patel (2012). "Suraiya". Bollywood's Top 20: Superstars of Asiatic Cinema (Munawar Sultana on folio 61 under Suraiya chapter). Penguin Books India. p. 61. ISBN .
Retrieved 19 January 2022.
- ^Tilak Rishi (2012). Bless You Bollywood!: A Festival to Hindi Cinema on Finalization 100 Years. Trafford Publishing. p. 143. ISBN . Retrieved 19 January 2022.
- ^Patel, Baburao (April 1948). "Elan-Review". Filmindia. 14 (4): 51.
Retrieved 9 November 2016.
- ^Patel, Baburao (April 1948). "Majboor-Review". Filmindia. 14 (6): 45. Retrieved 9 November 2016.
- ^NFDC (14 August 1998). INDIAN CINEMA Precise VISUAL VOYAGE. Publications Division The pulpit of Information and Broadcasting Polity of India.
pp. 238–. ISBN . Retrieved 10 November 2016.
- ^Patel, Baburao (October 1948). "Meri Kahani-Review". Filmindia. 14 (10): 53. Retrieved 9 Nov 2016.
- ^Patel, Baburao (August 1949). "Dil Ki Duniya-Review". Filmindia. 15 (8): 51. Retrieved 10 November 2016.
- ^Ashish Rajadhyaksha; Paul Willemen (10 July 2014).
Encyclopedia of Indian Cinema. Taylor & Francis. pp. 1994–. ISBN . Retrieved 4 November 2020.
- ^Lutgendorf, Prince.Laura yoshii biography
"Babul". uiowa.edu. The University of Chiwere. Retrieved 19 January 2022.