Maurice de sausmarez biography of barack

British artist and falling-out educator (1915–1969)

Maurice de Sausmarez (20 October 1915 – 28 Oct 1969) was an artist, litt‚rateur and art educator. He contrived an important role in loftiness establishment of the University diagram Leeds Department of Fine Art^[1] and was Principal of position Byam Shaw School of Plan and Painting from 1962 up in the air the end of his life.^[2] His influential book Basic Design: The Dynamics of Visual Form (1964) reached a wide worldwide audience and remains in issue today.^[3]

Early life

Born Lionel Maurice need Sausmarez on 20 October 1915 in Sydney, Australia, de Sausmarez was the youngest of bend over children born to British parents Clarence Montgomery 'Monty' de Sausmarez, a marine engineer in influence Merchant Service, and Jessie Cherry Macdonald (née Bamford), a pianoforte teacher and widow of picture explorer G.A.

Macdonald.^[4] In 1916 the family moved to Country, West Indies. In 1918 lip Sausmarez's father Monty disappeared nigh his daily swim and was presumed to have been tattered by a shark. Five majority later, in 1923, Jessie spurious back to England with Maurice, his older brother George gaining been already sent there combat attend school.^[3]

Education

On the family's come to England in 1923 Maurice attended St James Primary Institution, Highgate.

His older brother Martyr was already in England nearby attending Christ's Hospital, Horsham, Maurice would later become capital pupil between 1926 and 1932. During his time at Christ's Hospital Maurice suffered from creaky fever and was confined obviate bed from April 1927 spring 1928. In 1932 Maurice became a student at Willesden Polytechnic School of Art, absent-minded under Ernest Heber Thompson.

Smartness was awarded Board of Schooling Certificates in Drawing (1934) person in charge in Painting (1936).^[3]

In 1936 measure Sausmarez enrolled at the Imperial College of Art (RCA) bring in a Royal Exhibitioner in Work of art, where he studied until 1939.^[4] He was also awarded cease RCA certificate in etching comic story 1938.

While studying at greatness RCA he was taught impervious to Malcolm Osborne, Robert Austin stomach Artists' International Association (AIA) branchs Barnett Freedman and Percy Horton. His work was exhibited deride the Whitechapel Art Gallery, mockery Willesden Polytechnic School of Supposition (where he won the Momentous Prize for Portrait Painting promote the Gilbert Spencer Landscape Prize) and at De Olympiade Tone Dictatuur in Amsterdam.

De Sausmarez was also treasurer of honourableness RCA Theatre Group and unionised the RCA Students' Group luminous, held at the Imperial Association Gallery, in 1938.^[3]

In 1939 sand was awarded the Diploma well Associateship and won the One-year Painting Prize.^[3] He was besides awarded a Continuation Scholarship, however this had to be fine due to the outbreak pick up the check war.^[4]

Personal life

De Sausmarez married Kate Elizabeth Lyons in January 1940.

They had one daughter, Phillipa Judith, who was born set up 1941. The couple later parted in 1956.^[3] While working make a fuss over Hornsey College of Art unrelated Sausmarez met fellow teacher Jane Boswell.^[5] They were married plod 1963 and had three descendants (Emma Louise, Simon Benedict significant Daniel Maurice).

They remained amalgamation until de Sausmarez's death take away 1969.^[3]

After having rheumatic fever by the same token a child, de Sausmarez greet from ill health at indefinite points throughout his life. These health problems caused him done resign from his teaching tidy in 1941 and to amend granted a leave of craving from the University of Metropolis in 1952.^[3] He was besides hospitalised in April 1957 puzzle out suffering a nervous breakdown caused by difficulties in his wedlock to Kate.^[6] De Sausmarez went back to work the adjacent year with the University manufacturing arrangements for his gradual give back, including the use of dexterous studio on campus in Wood Grove Terrace.

In the summertime of 1969, while in Author, de Sausmarez was taken adhere to again and forced to go back to England. He died crowd 28 October at the sour of 54, at London Statement Hospital.^[3]

Following his death, friends playing field admirers of de Sausmarez peer funds for a trust. Magnanimity trust was chaired by puma Carel Weight, and its purpose was to provide financial help to his family until Book, their youngest child, reached faculty age.^[3]

A Thanksgiving service for class life of de Sausmarez was held at St Paul's Communion, Covent Garden on 15 Dec 1969.^[7]

World War II

De Sausmarez's use as a conscientious objector, pull a fast one Christian grounds, went before a-okay tribunal in Leeds in 1940.^[8] It was however declined, celebrated he was instead placed convention a Special Register for Colourless Service.

He later failed practice pass the Armed Services health check exam so continued to lessons as a teacher, being titled on occasionally to work rightfully a civilian instructor for say publicly Army Educational Corps and pervasive out fire picket duties assume night.^[3]

During World War II offshoot Sausmarez was commissioned to derive buildings and scenes from Bedfordshire as part of the Tape measure Britain scheme, a Pilgrim Reliance project led by Sir Kenneth Clark that recorded the diverse landscape of wartime Britain.

drawing of Cardington Bridge was published in the first notebook of Recording Britain, in 1946.^[3]

De Sausmarez played an active behave in the Artists' International Reaper during the war, when picture AIA supported leftist and antifascist causes.^[3] He first exhibited duct in the 1935 group spectacle Artists against Fascism and War alongside artists such as Rhetorician Moore and Paul Nash likewise well as in later wartime AIA exhibitions.^[9] He later served on AIA committees as be a bestseller as contributing to the association's post-war work to promote authority importance of art through peripatetic exhibitions, affordable prints and capital scheme that created murals bind locations such as schools, libraries and hospitals.^[3]

Art education and teaching

Throughout his life de Sausmarez stirred prolifically in the field advice art education, holding several coaching positions and working as mar external examiner for many universities and colleges.^[3] He made superior contributions to debates about accomplish art education as a associate various boards and advisory committees.^[2] His experimental approach to edification contributed to substantial changes domestic how art and design were taught from the mid ordinal century onwards.^[10] He campaigned during the whole of his career for individual creativeness and expression, believing in loftiness vital role that the portal play in every society.^[11] Fasten 1963 his article Diploma Amazement de Sausmarez spoke out bite the bullet the planned cuts to credentials courses made by the Summerson Committee that year.

As address list advocate for practical, vocational tutelage in art he emphasised wear smart clothes importance in training successful artists and designers.^[12] In June 1968 he also spoke at leadership Department of Education and Discipline art Conference for Art Advisors unexpected defeat Dartington Hall. His talk Innovation and Continuity in Art Education was influential and well established by his peers.^[13][14][15]

His first edification position was as Art Virtuoso at King Edward VII Boarding-school School, Sheffield, in November 1939.

He resigned from full-time doctrine in 1941 due to haul out health but later took fraud a part-time teaching position concede Willesden Polytechnic School of Craftsmanship. Returning to his old educational institution caused de Sausmarez to problem the prescriptive, traditional curriculum wind he had experienced there earlier as a student, and advise as a teacher.

He became committed to developing a other open-ended, experimental education for her highness students, exposing them to certificate, theatre and music, as exceptional as the visual arts.^[10]

De Sausmarez later went on to pick up teaching positions at Horsham Nursery school of Art, Leeds College ad infinitum Art, the University of Metropolis, Hornsey College of Art instruction the independent London art primary Byam Shaw School of Draught and Painting.

De Sausmarez along with taught part-time at various Writer art schools including Goldsmith's School and Harrow School of Clutch, lectured at many UK institutions including the Royal College close the eyes to Art and spoke at haunt education conferences.^[3]

De Sausmarez championed disclose education for various youth bands and published Look this Way, an introduction to the acknowledgement of painting written for juvenescence clubs, in 1945.^[3]

Leeds College pursuit Art and the University summarize Leeds

In March 1947, de Sausmarez began his long and pivotal association with the city faultless Leeds, and the surrounding area when he was appointed Belief of the School of Friction and Painting at Leeds Faculty of Art.^[16] In 1950 sharp-tasting was appointed as lecturer rejoice Fine Art at the Doctrine of Leeds, his application representing the position supported by individual artists Percy Horton, Gilbert Sociologist and William Coldstream.^[3] The Department staff Fine Art was newly instituted and de Sausmarez was adapted to establish and develop honourableness curriculum.^[1] On the recommendation provide the department's founders Bonamy Dobrée and Herbert Read, practical pass classes were introduced and outright in tandem with art characteristics.

De Sausmarez was appointed makeover Head of this new Bureau in 1950, and through rulership collaboration with Herbert Read, was instrumental in shaping a spanking prospectus that integrated the bone up on of making art with untruthfulness history.^[11] The resulting programme walk up to study combining studio practice dictate art history was imitated impervious to other institutions.

He was following promoted to Senior Lecturer plus Head of Department in 1954.^[3]

During his time in Leeds retain Sausmarez organised and chaired a number of lecture series both for group of pupils and the public, giving patronize of the lectures himself. These included lectures at Graves Interior Gallery in Sheffield and City City Art Gallery, a collection of twelve public lectures execute nineteenth century French painting^[3] very last a course of ten school extension lectures relating to grandeur Festival of Britain in 1951.^[17] He also held various laurels and positions during his put on the back burner in Leeds including Governor personage both Leeds College of Rip open and Harrogate School of Role, Chief Examiner of Leeds Academy Institute of Education and was a member of the Introduction Senate.^[3]

In July 1952 de Sausmarez visited Makerere College in Uganda at the request of distinction Inter-University Council for Higher Tuition in the Colonies.^[18] The Makerere College School of Art difficult to understand been set up in 1937 by Slade alumna Margaret Trowell^[19] and was affiliated with interpretation University of London.^[20] In alliance with Trowell, de Sausmarez wise on the development of rank school and the forming disruption a new Diploma course give a lift be taught at the school.^[18]

North Riding Summer School Scarborough

De Sausmarez contributed to and organised innumerable weekend and summer art courses, most notably a residential Season School in Painting for Northerly Riding County Council.

The way ran annually from 1949 resolve 1953^[3] and was held at Wrea Head College in Scalby, need Scarborough, North Yorkshire,^[21] and ulterior at North Riding College.^[22] Range Sausmarez taught the Summer College alongside various colleagues, including corollary RCA graduate, artist and guide Harry Thubron.^[22]

Basic Design

'Basic Design', dazzling by Bauhaus education principles, upset a vital role in revolutionising art school teaching in Kingdom in the 1950s and Decennary.

The key figures in that movement included Victor Pasmore, Take a break Hudson, Harry Thubron and toll Sausmarez.^[23] The two main customary of the movement were unmixed reasoned and objective approach be familiar with teaching and the importance frequent embracing science, technology and depiction modern world.  In 1956 base Sausmarez, Thubron and Hudson planned to a pivotal Society lack Education through Art conference go back which de Sausmarez argued depart in art theory there existed "a thinly disguised conspiracy harm intelligence, resulting from the one-sided splitting of consciousness and imagination as though they were equally exclusive instead of inseparable [and that] the denigration of wits has serious consequences in disappearing education".^[24]

De Sausmarez's approach to 'Basic Design' education focused on advancement a curiosity and inquisitiveness play a part his students.

His aim was to create rational, objective culture that supported emotional and mental development.^[23] A philosophy that without fear developed with colleague and likeness artist Peter Green while they were both teaching at Hornsey College of Art.^[25]  De Sausmarez's influential book on these customary, Basic Design: The Dynamics go Visual Form, was first accessible in 1964 and remains remark print today.^[26]

De Sausmarez's close coworker Harry Thubron developed his Humorless Design Course partly at primacy North Riding Summer Schools cruise they taught together in Scarborough.^[23] Thubron's course would form grand new model for teaching inspect art and is still ragged in Foundation Diplomas taught today.^[27]

In 1963 Harry Thubron taught spruce ten-day winter school course lessening life drawing at the Byam Shaw School of Drawing existing Painting alongside de Sausmarez, carver Hubert Dalwood and abstract maven Terry Frost.

The experimental track was attended by approximately 70 painters and students and interested laying large sheets of pro forma on the floor, the lesson working closely together and many life models moving around prestige crowded space.^[28] It aimed stop with "destroy habitual practices" and "encourage creative response". The course was documented by painter and producer John Jones, the resulting 30 minute film Drawing with honourableness Figure (1963) includes commentary preschooler Thubron and a soundtrack splash improvised jazz.^[23]

Byam Shaw School call upon Drawing and Painting

De Sausmarez was principal of the Byam Bandleader School of Drawing and Picture from 1962 until his wasting in 1969.

During his leave to another time there he worked hard beside raise the reputation and run of the mill of the school.^[2] As topmost of Byam Shaw, de Sausmarez championed the importance of facility over the entrance requirements chief by the local authority what because choosing potential students.^[11] He was also clear that the institute remain focused on practical flat work: "the workshops not probity talking shops, the academies order the past".^[29]

The designer and discoverer James Dyson studied at Byam Shaw, choosing the school since of its excellent reputation entry de Sausmarez's leadership.^[30]  Dyson credits de Sausmarez's guidance and guiding with inspiring him to understand a designer.^[31]

Broadcasting

As well as commandment at various institutions, de Sausmarez also provided art education cross-reference schools and the wider let slip through BBC radio programmes specified as Art in the North: 'The Future' broadcast in 1951^[32]  and Dissipated Octupuses (1959), practised programme about the teaching topple art to adolescents.^[33] He besides contributed to the Talks make Sixth Forms radio programme, demonstration episodes on Artist and Public in 1960^[34] and Paul Cézanne in 1965.

The latter was accompanied by a film ribbon of photographs of Cézanne's gratuitous selected by de Sausmarez.^[35]

He additionally contributed widely to discussions net art and art education project BBC radio programmes such similarly What Kind of Art Schools (1958)^[36] and The Fifty-One Society, and the ATV careers routine I am going to pointless in a creative job shown in October 1962.^[3]

Writing

De Sausmarez wrote prolifically throughout his life, scrawl regular articles and essays go on art education as well restructuring about artists and their stick.

His book Basic Design: Primacy Dynamics of Visual Form, regard at art teachers and division, was first published in 1964.^[26] He also wrote books puff Pouissin'sOrpheus and Eurydice (1969) meticulous Bridget Riley (1970). In 1969 he edited a special issuance of the art journal Mill International about the artist Mountain Nicholson in which he interviewed other artists including Henry Thespian and Naum Gabo, and wrote about Nicholson's work.^[37]

De Sausmarez besides wrote regularly for Motif: Straighten up Journal of the Visual Bailiwick, edited by designer Ruari McLean.

He contributed several articles run off art education including Playing image Safe? about the lack reproach intellectual development in students entry art schools published in Pattern 4 (March 1960)^[38] and eminence editorial about the newly planned Diploma in Art and Imitation (DipAD) in Motif 7 (1961).^[39] He also wrote about integrity work of Hubert Dalwood, Closet Warren-Davis, Trevor Bates and Toilet Hoskin in the Motif 5 (Autumn 1960) article Four unapplied sculptors,^[40] and about the sculptors, and former assistants to Orator Moore, Oliffe Richmond, Neil Stocker, Clive Sheppard and Anthony Hatwell in the article Four Brits Sculptors published in Motif 12 (Winter 1964).^[41]

Art and design

As in shape as being a renowned abide respected educator de Sausmarez was also a skilled painter, illustrator and designer.

He drew credence from Paul Cézanne, Jacques Poet and Nicolas Poussin, and difficult a love of abstract divide into four parts and a gift for close observation which can be special in many of his landscapes and still lifes.^[11]

While still neat as a pin student in 1935, de Sausmarez completed a mural for honourableness Children's Room at Kensal Gush Library, London^[3] with fellow Willesden Polytechnic School of Art schoolboy Dudley Holland.^[42] In the very much year he exhibited for rectitude first time with the Artists' International Association (AIA) and stop in full flow 1937, Bromley Little Theatre appointed him to design costumes contemporary sets for their production loosen Elroy Flecker's Hassan.^[3]

In 1952 present Sausmarez painted the North Yorkshire coastal village Staithes.

The issue of World War II challenging left Britain "bruised" and that vulnerability was demonstrated in rule painting showing a fragile place of battered old houses. Dispel, in 1955 he painted doubtless one his most famous paintings Whitelocks Bar, Leeds showing honesty warm and friendly interior elaborate one of the city's nigh popular public houses.^[11]

De Sausmarez distressed briefly as a freelance builder and consultant for Lichtex Fabric and had his designs outward by the Cotton Board.

No problem produced illustrative commissions for exact publishers Chatto & Windus playing field Odhams Press Ltd, including Odham'sChildren's Nature Book and F.G. Thomas' The World And You, Folk City and illustrated A.N. Shimmin's book The University of Metropolis, the First Half-Century.^[3] He very completed several portrait commissions, expressly of university figures including Order of the day of Hull Vice-Chancellor Dr Closet H Nicholson (c.1958), University lay out Leeds Professor of English Belles-lettres Bonamy Dobrée (1955) and Pontiff Fellow James Kirkup (c.

1951).^[43]

De Sausmarez's later work is in the grip of by landscapes, particularly of Writer and Italy where he clapped out many summers painting and scrutinising his surroundings. Tuscan Summer (1955) demonstrates his use of unapplied technique to represent a nearly observed, pared back landscape.

Loftiness Luberon Valley in France too featured particularly heavily in wreath landscape paintings after he greedy a house there in 1962.^[11]

De Sausmarez showed his work commonly in various group exhibitions, as well as the RA Summer Exhibition which he was selected for diverse times throughout his life, professor once posthumously in 1970.^[11] Filth was elected as an Hit it off of the Royal Academy expansion 1964.^[44] His work was as well included in many New Arts Art Club (NEAC) annual exhibitions between 1939 and 1961, stream posthumously in 1970.

In stop working, de Sausmarez's work was deception in many of the reciprocal touring exhibitions for both high-mindedness RA and NEAC shows.^[3] Fulfil first solo show was kept at the Paul Alexander Listeners, London in October 1949.^[45]

Several discount de Sausmarez's paintings were shown and sold at Pictures awaken Schools exhibitions,^[46] a Society extend Education through Art (SEA) design founded in 1947 by master and educationalist Nan Youngman.

Ethics aim of the scheme was to enrich the visual breeding of children through first-hand pat with original artworks within their schools. The exhibitions took keep afloat annually in London and displayed works by contemporary British artists for sale to educational portion publicly and local authorities.^[47] De Sausmarez also served on the put on show selection committee several times escort the1960s.^[48]

His landscape painting Country Lane was bought by the State Art Gallery of New Seeland in 1958.^[3] Collections of rule work are also held from end to end of Cambridge Shire Hall, Leeds Museums and Galleries, Ferens Art Listeners, Sheffield Museums and the Sanatorium of Leeds.^[43]

Connections in the quarter world

De Sausmarez built an dilatable network of professional connections move was a crucial figure prickly circle of artists, thinkers unthinkable groups that informed the folk life of post-war Britain.^[10] Measurement studying painting at the Grand College of Art he was introduced to artist Peggy Beef who he regularly visited slate her cottage Furlongs.

Artist Hotspur Horton taught de Sausmarez conflict RCA and later wrote a-okay letter of recommendation for king application to the University run through Leeds in 1949. Horton further wrote the catalogue introduction bolster de Sausmarez's first solo show in the same year.^[3]

De Sausmarez worked regularly with fellow maestro and educator Harry Thubron, governing notably at the North Athletics Summer Schools in Scarborough, add-on supported Thubron's appointment as Tendency of the School of Craft at Leeds College of Neutralize in 1955.

He also schooled alongside artists Carel Weight, Hubert Dalwood and Terry Frost, most recent art historian and philosopher Musician Read^[3] as well as mine with poet Jon Silkin consulting room an exhibition of Isaac Rosenberg's work in 1959.^[49] In 1960, de Sausmarez offered artist Privy Hoyland his first teaching selection at Hornsey College of Burst out after discovering a pile comprehensive Hoyland's abstract paintings at rendering Royal Academy.^[3]

Bridget Riley

De Sausmarez greatest met painter Bridget Riley coerce 1959 when she attended adroit residential summer course on Colour-Forms at Groton Hall, Suffolk think about it he ran with Harry Thubron and Diane Thubron.^[3] Later probity same year he visited collect studio off Fulham Road muddle up the first time.^[50] He became her friend and mentor, levying her to Futurism and Divisionism, and inspiring her to scrutinize closer at artists such thanks to Klee and Seurat.^[51] Riley's instigate to Futurist painting also evaporate many discussions and analyses let fall de Sausmarez while he was preparing a series of lectures for the Royal College summarize Art.^[50]  De Sausmarez and Poet began an intense romantic arrogance in 1959^[52] and spent honesty summer of 1960 together spraying in Italy where they visited the Venice Biennale.^[51] Riley varnished Pink landscape (1960), a pointillistic study of the landscape at hand Radicofani during this holiday.

End returning from Italy de Sausmarez suggested Riley take up fine part time teaching job bulk Hornsey College of Art situation he was Head of depiction Fine Art Department.^[50] When class relationship ended in autumn look upon the same year, Riley meet a personal and artistic turningpoint, creating paintings that would direct to the black and pale Op Art works, such considerably Kiss (1961), she was be in first place known for.^[51]

The relationship between set in motion Sausmarez and Riley evolved run into a professional friendship which endured until his death in 1969.^[3] Riley has often cited dominion role as an early mentor.^[11] He wrote enthusiastically in obligation of Riley's work, composing calligraphic catalogue introduction for her premier solo exhibition in 1962, president for subsequent exhibitions in 1969.

At the time of king death, he was working finely tuned a monograph on Riley, which was published posthumously in 1970. De Sausmarez also chaired loftiness working committee for Space (studios), a London organisation co-founded rough Riley and Peter Sedgley be acquainted with provide affordable studio space dare artists.^[3]

In 2019 the Bridget Poet Art Foundation supported the accomplishment of de Sausmarez's archive wishywashy the University of Leeds.^[10]

Ben Nicholson

A short but productive professional selfimportance developed between de Sausmarez spreadsheet painter Ben Nicholson while provoke Sausmarez was compiling a shared issue of Studio International committed to Nicholson.

De Sausmarez good turn Nicholson corresponded regularly from 1966 to 1969, when the sprint was published, and de Sausmarez visited Nicholson at his domicile in Switzerland.^[53] As well primate editing the issue, de Sausmarez also interviewed fellow artists Naum Gabo and Henry Moore handle Nicholson and his work.^[37]

Kenneth Leighton

Composer Kenneth Leighton met de Sausmarez in 1953 when Leighton became the first Gregory Fellow draw out Music at the University a mixture of Leeds.

A close friendship erudite between them and lasted unfinished de Sausmarez's death. De Sausmarez commissioned Leighton to compose well-organized musical piece in memory assert his mother Jessie after team up death in 1963. The resultant piece, Seven Variations for Line Quartet Opus 43, was round off for the first time tiny the Byam Shaw student trade show in 1964.

A second statue piece by Leighton, this in advance in memory of de Sausmarez himself, was performed at character Thanksgiving service for de Sausmarez's life on 15 December 1969.^[3]

Legacy

His approach to teaching art gorilla a "social medium that practical vital to humanity" inspired spend time at that studied under him spreadsheet his legacy to art nurture is significant.^[54] Two years stern his death, in 1971, say publicly exhibition Homage to Maurice placate Sausmarez was organised by division at Byam Shaw School carry out Drawing and Painting in ceremony to de Sausmarez.^[11] Alongside host Sausmarez's own paintings, works get by without friends, colleagues and former set were donated, with proceeds let alone sales going into a commend for de Sausmarez's children.

Exhibiting artists included David Hockney, Carel Weight, Terry Frost, Hubert Dalwood, Ben Nicholson, Henry Moore, Closet Hoyland, Prunella Clough, Lynn Chadwick, Patrick Heron, William Scott, Pecker Sedgley and Bridget Riley. Say publicly exhibition was well received, duration described as "an exceedingly charming and lively exhibition of Nation art today" and the unbeatable of Byam Shaw School direct its students considered a tombstone in itself to de Sausmarez's life and work.^[55]

The same best also saw the first Maurice de Sausmarez Memorial Lecture, organized by the Council of Government of the Byam Shaw College.

The first lecture, The Break into pieces Lesson, was given by Lecturer Richard Wollheim. The lectures long annually until 1990 and speakers included Germaine Greer, Melvyn General, art historian Professor Griselda Gadoid and Basic Design advocate Richard Hamilton.^[3]

In 2015 a retrospective presentation of de Sausmarez's work was held at The Stanley perch Audrey Burton Gallery, University heed Leeds.

The exhibition marked depiction centenary of de Sausmarez's confinement and brought together paintings, illustrations and other works from in his career.^[11]James Dyson gave uncut speech at the exhibition's fate event in which he beam about de Sausmarez's great cultivated influence on him and coronate career.^[56]

De Sausmarez's archive is restricted by the University of City Special Collections, having been derived from the Maurice de Sausmarez Family Trust in 2019.^[57]

Exhibitions

Solo exhibitions

• 1949: Paintings by Maurice de Sausmarez, Paul Alexander Gallery, London
• 1951: Paintings by Maurice de Sausmarez, Magnanimity Haworth Gallery, Wakefield
• 1971: Homage commence Maurice de Sausmarez, Upper Grosvenor Galleries, London (posthumous)
• 2015: Maurice eruption Sausmarez 1915 –1969, The Explorer and Audrey Burton Gallery, Metropolis (posthumous)

Selected group exhibitions

• Royal Academy Season Exhibition: 1947-8, 1950-5, 1957, 1959, 1962-9, and 1970 (posthumous)
• New Decently Art Club Annual Exhibition: 1938, 1939, 1940, 1942-5, 1947, 1950-2, 1961, and 1970 (posthumous)
• 1935: Artists International Association:Artists against Fascism & War, 28 Soho Square London
• 1936: Exhibition of 15 Students' Describe Clubs, Whitechapel Art Gallery, London
• 1936: De Olympiade Onder Dictatuur, Amsterdam
• 1937: AIA: Artists against Fascism & War, 28 Soho Square, London
• 1938: Students' Group Exhibition, Royal School of Art, London
• 1939: AIA: Oneness for Artists of Peace, Self-rule, and Cultural Development, Whitechapel Heading, London
• 1942: Scheme for Recording depiction Changing Face of Britain, State-run Gallery, London
• 1946: AIA: Painters Today, 56 Pall Mall, London
• 1953: Yorkshire Artists' Exhibition, Leeds City Have knowledge of Gallery
• 1953: Figures in their Setting, Tate Gallery, London
• 1955: Self Portraits of Contemporary Painters, Ferens Split up Gallery, Kingston-Upon-Hull
• 1956: Maurice de Sausmarez, Terry Frost and Hubert Dalwood, Leeds University
• 1956: The Seasons, Wretched Gallery, London
• 1967: Contemporary British Aspect Painters, Upper Grosvenor Galleries, London
• 1969: The Nude, New Grafton Congregation, London

Selected publications

• Look This Way, Chaste Introduction to Paintings (1945)
• Playing set in train Safe?, Motif: A Journal chide the Visual Arts, 4 (March 1960)
• Four abstract sculptors, Motif: Smart Journal of the Visual Art school, 5 (Autumn 1960)
• Gestation of natty Diploma, Motif: A Journal thoroughgoing the Visual Arts 7 (Summer 1961)
• Diploma Daze, The Guardian (27 June 1963)
• Basic Design: The Mechanics of Visual Form (1964)
• Four Brits Sculptors, Motif: A Journal dying the Visual Arts, 12 (Winter 1964)
• Nicholas Poussin's 'Orpheus and Eurydice' (1969)
• Ben Nicholson: A Studio Worldwide Special (1969)
• Bridget Riley (1970)
• Discussion 'tween Peter Sedgely and Maurice party Sausmarez, Leonardo Vol.

  4 Drainpipe 1971

References